Selected Bibliography 2011 Shaw, K. "'Neighbo(u)rhood' explores identity in a Pittsburgh way." Tribune-Review (June 1).
    2010 Samuels, D. "Intimate Immensities." Ancoraimparo.org (December 21).

Thomas, M. "In The Frame: Artists In Their Own Words." Pittsburgh Post-Gazette (July 28).
    2008 Mendelson, A. "Pop Star: Diane Samuels." Pop City Media, (January 9).
    2007 Dillon, L. "Diane Samuels, Lines of Sight." Sculpture (July/August).

Dupré, J.  Monuments, America's History in Art and Memory. Random House.

Meyers-Kingsley, D. "Lines of Sight: Diane Samuels' Tapestry of Glass." Textile, Volume 5, Issue 3, pp. 320-327.
    2006 Thomas, M. “Mattress Factory installation puts artist on the map.” Pittsburgh Post-Gazette (March 29).
    2005 Meyers-Kingsley, D.  “Diane Samuels, One letter at a Time.” Lifestyles (vol. 33, no. 195).
    2004 Kahn, H. “The Writing on the Wall.” ArtNews (Summer).

Meyers-Kingsley, D. Luminous Manuscript & Biblical Species.

The Center for Jewish History, New York (Catalogue)

Thomas, M. “80,500 Pieces of Glass.” Pittsburgh Post-Gazette (March 11).
    2003 Soltes, O. Fixing the World. Brandeis University Press, University Press of New England.

Winn, A. “Come On In.” Pittsburgh City Paper (October 8-16).

Thomas, M. “Meeting of Minds.” Pittsburgh Post-Gazette (October 11).
    2002 May, M. "Diane Samuels, Memorable Works." Pittsburgh Magazine (September 2002).

King, E. et al. “3rd International Triennial of Graphic Arts, Prague 2001.” Grapheion (Special Issue 2002).

Frenz, R. “Die Antwort der Künstlerin.”  Alb Bote (July 19).

Walderich, I. “Annäherungen an Buttenhausen und Grafeneck.”  Über die Alb (July 19).

Krainak, P. “Diane Samuels.”  Art Papers (May/June).

Winn, A. “In Book Form.” Pittsburgh City Paper (January 9).
    2001 Thomas, M. “Inscription.” Pittsburgh Post-Gazette (November 17).

Shaw, K. “Written in Memories.” Tribune-Review (September 21).

King, E. “Learning the Alphabet: A Conversation with Diane Samuels.” Sculpture (June).

Sinte, C. “The Graphic Art of the 90s.” Grapheion (Spring).
    2000 Faith: The Impact of Judeo-Christian Religion on Art at the Millennium, The Aldrich Museum of Contemporary Art, (Catalogue).

Rosoff, P. “Faith in Art.” The Hartford Advocate (March 23).
    1999 King, E. Diane Samuels: Retrospective, Municipal Museum of Art, Györ, Hungary (Catalogue).

Bass, R. “New York? New York!” Art-Talk (December).

King, E. “Diane Samuels, Municipal Museum of Art, Györ, Hungary.” Grapheion (Fall).
    1998 “Gedenkstätten.” Art (October).

Kuracinová, V. “Hlasy v synagóge, Diane Samuels.” Mosty (August 18).

“Ein Meditationspuzzle birgt alle Namen.” Reutlinger Blatt, Schwabisches Tagblatt (August 7, 8).

Walderich, I. “Eine Woche lang Arbeit am Buchstabenchaos.” Über die Alb (August 6).

“Kunstprojekt gegen das Vergessen.” Wochenanzeiger (August 5).

Laepple, E. “Besucher sollen sich auf Erinnerung einlassen.” Alb-Bote (August 5).                 

Striebel, S. “Gedenken aus Stein und Blumen.” Reutlinger General-Anzeiger (August 15).                 

Bass, R. “Diane Samuels.” ArtNews (April).

Shearing, G. “Dynamism already evident at Foreland Street.” Tribune-Review (January 4).
    1997 Thomas, M. “Samuels' art makes powerful imprint.” Pittsburgh Post-Gazette (December 27).

Mendelsohn, J. “Hands-On Remembrance.” Jewish Week (December 19).

Neuman, E. “Imprints & Artifacts.” Review (December 1).

Wolff, C. “Quatrième triennale mondiale d'estampes petit format.” Chamalière, France  (Catalogue).

Kern, K. “Net Surf, Site Specific.” Wired (September).

Vom Grafen, J. “Jede Handlinie vertraut.” Reutlinger General-Anzeiger (May 28).

Egelhof, S. “Ein Golem und neun Hände.” Schwäb. Tagblatt, Tübingen (May 31).

Engler, C. “Jeder Buchstabe is besonders wertvoll.” Reutlinger General-Anzeiger (May 31).

Vom Grafen, J. “Wenn die Buchstaben zu reden beginnen.” Alb Bote (June 25).
    1996 Mészáros, J. “Györ, Hungary, The International Biennial of Graphic Arts.” Grapheion (Winter).                 

Fischer, G. “Zwischen Weiß und Schwarz.” überlick (December).                 

Gerzová, J. “Mattress Factory.” Profil (Spring).

Olson, K. “R.E.S.P.E.C.T.” The New Art Examiner (March).
    1995 Hymowitz, C. “Letters for God and Us.” The Wall Street Journal (September 25).

Newall, E. “Galleries.” p.59, The Fall Preview, New York Magazine (September 11).

Lauzeral, D. “Notre-Dame de la création.” Le Petit Bleu de Lot-et-Garonne (July 22).

Porat, J. “Jewish Folktale the key to enigmatic 'Alphabet Project' at CAC.” The American Israelite (May 18).
    1994 Merly, M. “Fragments de vie et lieu de rencontre.” Le Petit Bleu de Lot-et-Garonne (November 27).

Miller, D.  “Folklore tales inspire artist.” Pittsburgh Post-Gazette  (August 27).

Raczka, R.  Material & Substance. Allegheny College, Meadville, PA (Brochure).
    1993 Gerzová, J. “2x Moravany.” Profil (November).

Clark, V. A. Degrees of Abstraction. Three Rivers Arts Festival (Catalogue).

Kissick, J. “On View, Pittsburgh.” New Art Examiner  (March).  
    1992 Roberts-Pullen, P. “Body Mechanics.” Style Weekly, Richmond, VA  (October 20).
    1991 Mattress Factory: Installation and Performance 1982-1989  (Catalogue).
    1990 Shurkus, M. “Pittsburgh in Chicago.” New Art Examiner  (October).                    

Bonetti, D. “A very English way with wood sculpture.” San Francisco Examiner (January 20).
    1988 Arkus, L.A. Sculpture and Drawings. Pittsburgh Center for the Arts (Brochure).

King, E. A.  “Diane Samuels.” Dialogue, An Art Journal  (May/June).
    1987 Homisak, B.  “New Path for Pennsylvania Sculpture at CMU.” Tribune-Review  (January 18).
Harris, A. S.  “Sculptural Idioms.” Dialogue, An Art Journal  (May/June).
    1985 King, E. A.  Quadripartite: Personal Visions.  Carnegie-Mellon University (Catalogue).
    1983 Daly, A.  “9 Artists Feel the Pulse at Gallery.” The Pittsburgh Press  (October 13).
    1982 Lowry, P.  “Witty and Surreal, her Photo Montages Alter the Gallery.” The Pittsburgh Press  (August 12).
    1981 Gangwere, R.J.  “Diane Samuels, Sculpture.” Carnegie Magazine  (February).

Rowley, K. “Fiber Interactions.” Artweek (August 15).